I have a date with a screen tonight, images
of dancing light and flat color, painted caves & wonder.
The word root of anime is life, soul, breath
The latinate dead knew how many hands
it takes to infuse a drawing with movement…
[late] National Poetry Month poem #4: dental cultures
there's no such thing as a colorblind toothbrush.
the analog and electric, target-bought and mail-ordered
discuss cuisines, agendas, class war
[late] National Poetry Month poem #3: a golden state
named for queen Calafia
from khalifa from caliph,
my love is muslim at her core
carrying jasmin & date palm with her
i was born hers, in a stolen land
of milk and honey. jannahic
are her oases, meccan her temper
her sands crossed by parents
caravan of vagrants transients homeless
exiles awelcome. what else is Blackness
beyond a pilgrimage from ash?
our bottleblonde hollywood mother
(permissive, permissible, halal)
lets yajuj & majuj pigs & dogs
run feral through Hidden Hills
lets the quakes rockabye us all
bathes in brimstone & smokescent
& we no longer know who to follow
let each tsunami wash as wudu
let a new variant of faith blaze & bloom
let the mahdi be born tan, soon
here in the home of all sunsets. here
we stand at the end of the earth,
all eyes on us. here is where i shall die
[late] National Poetry Month poem #2: BROWN FAT
God bless
brown fat bequeathed
from hunters
stolen fugitive(s)
farmers famine-tested
the only heirloom
I got. Life
sharpened by
twelve hour workdays
into this body
of joy dancing
three hours straight
[late] National Poetry Month poem #1: RAMHEART
my mother caught every possible hint:
the alignment of family shoes
askew near the door was a lottery poem
only she could read: beware of intruders.
code lay under the rhythms of daytime ads,
god in newscasters' laden gazes as
they spoke of her hometown or ailments
my mother knew her centrality well
her brain a kandinsky of crosstown traffic
of clanging connections, every meal a divination
she tosses together garnished words
long after we've barred her from the kitchen
impious, i shut my eyes to pareidolia
see only moon rabbits when told how
find never messiahs but weevils in my cupboard
go unchosen & afterthought, hardheaded
all hints are enemies, the subtle too close
to dissembly. i return innuendo by twisting
a pithy meme into a conviction:
you cannot love me in a way that matters
venus in Aries, my ramheart
can only be pierced by a fire arrow
give me someone with a chest full
of declarations. i will hear nothing less
I am trying my best to not be a lizzo hater, but...
I doubt myself a lot; I probably always will.
I think a lot about the time a (female) interviewer told me straight out that she chose a (male) candidate over me because he had more confidence. Interviewers have told me I lack confidence multiple times.
I think a lot about the (Black female) recruiter who boasted of lowballing her client because her client didn't think to ask for more. "I just offered a candidate $85,000 for a job that had a budget of $130,000. I offered her that because that’s what she asked for and I personally don’t have the bandwidth to give lessons on salary negotiation." She said, and tagged it #beconfident.
Not all skinfolk are kinfolk, I know. But if it's feminist to use the “insecure” or “ignorant” as lessons in this way, then I want none of it.
I'm alive only because of the softness of others.
I also apologize a lot; it's ingrained in me by now.
I think a lot about the time a white woman coworker told me to apologize less and to say "thank you" more, "You should try that." I distinctly remember how certain she was as she told me—not suggesting, but commanding with an air of annoyance.
I think a lot about the time Lizzo, one of the music world’s loudest drumbeaters for self-esteem, angrily condemned music writers to unemployment because a (fellow Black female) music reviewer gave Lizzo a very critical review.
If that is what confidence looks like, I'd rather remain apologetic. I will apologize for apologizing, again and again.
i remain wary of unkinfolk, and devote my mind to the women, the black women, the black men, and the others who upheld my watery, airy self in interviews, as supervisors, as colleagues, and role models. i want to thank every one—gratitude inflates me & i no longer need to apologize once i am allowed to.
still, my brain returns to that ex-coworker and all the other shapes she may take. i wonder if she, in another body, told tell bell hooks to capitalize her name so that she doesn't look like she's downplaying herself.
i wonder if she told bell hooks to write her name in all caps: “other wise the world won’t take you seriously. otherwise, the world/i will can’t support you. Other wise I (the world) will eat you alive.”
What’s So Good About Anime Anyway? [Part 1!]
I want to talk about the accidental properties of anime that were lacking in American cartoons as the time that anime exploded, the things Nickelodeon and Hanna-Barbera could have leaned into even before anime inspired them to do so.
I want to think explicitly about the things I try to apply in my own work even only under the surface.
I want to focus on craft and considerations that go deeper than “big eyes and blue hair.” I want to dig deeper than style.
I want to talk about what’s so good about anime.
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